THE COMPOSERS WHO GAVE A DIRECTION TO THE MODERN GUITAR MUSIC BETWEEN 1920 AND 1950

ÜNLENEN E.

ANADOLU UNIVERSITESI SANAT & TASARIM DERGISI-ANADOLU UNIVERSITY JOURNAL OF ART & DESIGN, cilt.6, sa.2, ss.110-126, 2016 (ESCI) identifier

  • Yayın Türü: Makale / Tam Makale
  • Cilt numarası: 6 Sayı: 2
  • Basım Tarihi: 2016
  • Dergi Adı: ANADOLU UNIVERSITESI SANAT & TASARIM DERGISI-ANADOLU UNIVERSITY JOURNAL OF ART & DESIGN
  • Derginin Tarandığı İndeksler: Emerging Sources Citation Index (ESCI), TR DİZİN (ULAKBİM)
  • Sayfa Sayıları: ss.110-126
  • Anahtar Kelimeler: Segovia Effect, Neo-romantic composers, guitar music between 1920-1950, Guitar Repertory
  • Anadolu Üniversitesi Adresli: Evet

Özet

The guitar repertory which had a substantial spring through the impact of Andres Segovia was shaped with the works by non-guitarist composers in the first half of 20th century, which is not usual fashion as beforehand. In this study, there will be some descriptive analysis of the general features and the works of some selected composers who are considered to be the respresentatives of neo-romantic guitar music, namely Manuel Ponce, Joaquin Turina, Federico Moreno Torroba, Manuel de Falla, Heitor Villa Lobos, Mario Castelnuovo-Tedesco, Joaquin Rodrigo and Alexandre Tansman. It also aims at giving information about the atmosphere seen especially after 1950 when the guitar music is subsisted before the guitarist - modern guitar music composers.