THE CRITICISM OF PUBLICNESS OF MUSEUMS BY ART


KARACA G.

ANADOLU UNIVERSITESI SANAT & TASARIM DERGISI-ANADOLU UNIVERSITY JOURNAL OF ART & DESIGN, sa.8, ss.63-73, 2015 (ESCI) identifier

Özet

In 21th century, the examples of relational and participatory art works which can be often seen at the bienalles, exhibitions and streets of Europian countries, America and Turkey, don't use the traditional specialities of art. The relational and participatory works aim to make a connection between the viewer and the art work and sometimes between the artist instead of showing the final work of art to the viewer. In this study, how the traditional system of showing the final work of art was started, the period of the museums were occured, if the museums called as public are really public according to the meaning of the concpt of publicity, how the criticisms about museums were began and the period after these comments were researched.